Ghost Wall by Sarah Moss

Ghost Wall by Sarah Moss is a little gem of a book (152 pages) – hard and bright. Silvie is an adolescent girl who goes with her father and mother on an experiential archaeology week in the Northumberland countryside – her father has a lay interest in iron age English culture and somehow has tagged along on a university field trip with a professor and three students. The novel is prefaced by a description of the human sacrifice of a young woman, one of the bog people whose bodies are preserved and whose fates have been much speculated about. This scene hangs like an eerie tension over the narrative.

Silvie is a great character; at once knowing and competent (her father has taught her survivalist skills since she was a little girl), and sheltered and innocent. She is bewildered by the students, especially Molly, the only other female (except for Silvie’s cowed mother). Molly’s nail polish, her humour and cynicism (she goes off to a shop nearby to secretly buy food when they are supposed to be living off berries and leaves, fish and rabbits). The killing of the rabbits, and graphic skinning and gutting of them, is something that Silvie is used to, although she’s sad for the things that were running around only the day before, while Molly is disgusted and refuses to eat them. Silvie’s father is scornful and full of derision at such soft modern sensitivities.

Although we see the story from Silvie’s point of view, the case against the father is built up slowly and circumstantially. She can see that he knows as much as the professor, in his own way, and that, living as iron age people, he is the one who would lead. Even the professor starts to rely on him, and they spend days apart while Silvie and the others are relegated to foraging or cleaning up camp.

This novel is at once a fantastically detailed portrayal of living in, and off, nature and a psychological study of repression and complicity. We all know where it is heading but I couldn’t work out how Moss was going to get us there. But she does, shockingly and convincingly.

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