The Librarian by Salley Vickers

If you have read “The Bookshop” by Penelope Fitzgerald (see my review), the plot of Sally Vickers novel is surprisingly similar, so much so that I felt this book was a literary tribute to the former novel. Both are set in the ’50s, both have a youngish woman as a heroine who loves books (one starts a bookshop in a small English town, the other takes up a position of children’s librarian in a similar town). Things initially go well for both: the bookshop is set up and becomes a small success and, in the other story, the heroine (Sylvia Blackwell) makes changes to the library to bring the magic of books to the children of the town. Both women, by perhaps not understanding the narrow-mindedness of such towns, fall out of favour, and are cut down. Both books are peppered with nostalgic references to books loved, and books that might be recommended. I felt that Vickers’ heroine had the same rather distanced, naive, but also perceptive voice, of Fitzgerald’s heroine, Florence Green. However, while I found Fitzgerald’s book both annoying and frustrating, Vickers gives us more of a satisfying story, with Sylvia putting up more of a fight than Florence was able to muster. Fitzgerald packs Florence off into an uncertain future (all the more bleak because Florence is in her forties, not her twenties like Sylvia, and so we assume it would be harder for her to start over). While Sylvia, too, moves on, Vickers provides a coda in the last section of “The Librarian” where we move into the future and see the effect of Sylvia’s influence on some of the children she encouraged. Both books are more hard-edged and less sentimental than a you might expect from their titles and plot-lines.

Goodreads review

Pigface and Other Stories review

Like most anthologies, there is a great variety of stories here: realist and more fantastical, bush and city, sad and amusing. ‘Pigface’ by Andrew Roff (the winning story of the Margaret River short story prize), is a great piece of controlled prose, and unfolding tension. Kat is a ranger in an eco-resort; she knows she has a good job but the pushy guests she takes on a bush walk test her patience: she tells them about the plant pigface and a guest ‘stabbed a question at her-“Latin name?” Like a fork pointed across a dinner table’. Luckily, she knows the answer! Of course, tension builds and tempers flare as the walk goes on and I, for one, hoped one or two of the guests would get their just deserts.

In another story, ‘Living With Walruses’ by David Wright, a group of walruses inexplicably takes over the beach of a small coastal town. The locals love it (it brings tourists) but soon the smell and noise turn them against the creatures. It’s a quirky story about tolerance and cruelty, with a slight supernatural edge. I also loved ‘Setting Sail’ by Zoe Deleuil, a quiet story where a gentle encounter with a neighbour offers hope to a woman in a controlling marriage. ‘Descent’ by Fiona Robertson is a wonderfully tight, controlled story where the whole relationship between a father and his young son from a previous marriage is revealed in one bush walk up (and down) a mountain. The father is a great character – self-absorbed and obnoxious – and his relationship to his new wife and young daughter is acutely observed, as is the character of the teenage son (whose growing confidence in standing up to his father is the centre of the story).

In a more amusing vein, ‘Small Fish’ by Penny Gibson skewers a particular type of Aussie male – here seen on a fishing trip – although, in the end, the story is more poignant than harsh. I didn’t think I would feel empathy with any of these men but the author achieves this. I also enjoyed Tiffany Hastie’s ‘The Chopping Block’, a moving, beautifully-written story about a woman and her dog, and loneliness and resilience. An underlying sense of tension is built (and a certain amount of blood spilt!). ‘Habitat’ by Cassie Hamer is a clever piece of writing that covers a lot of issues on a small canvas – it, almost imperceptibly, builds up a sense of unease and angst in the everyday life of the main character.